Tuesday, May 26, 2009

Lease Agreementfriend Sample

Shouts Walking




A 4 years after the death of International Assembly of the fire, the legacy of anger, anxiety and discomfort, seems to have taken refuge in the resistant mentally hundreds of fans who sound orphans, now wander lonely as a silent "hearts on fire" trying to reconcile the world. However, in the same memory of these faithful accomplices behind Assembly as an intellectual and existential imagination, beyond the limitations and cultural conventions of what was their gender.
why even talk about AIDF involves much more than talking about hardcore punk or post hardcore, is tell a story only in time, as an epitaph, engraved in the hearts and minds. And because we still talk about AIDF, and it also reminds recall that in four walls and the shouts of his followers Fabares were able to transform into real bombs, in noise, in communion, in the fire. And his music, awesome atmosphere, beyond the borders of its kind to connect with revolutionary height Brech, Orwell or our Rhoka Paul betrayed. Because the Assembly was able to destroy and transform the whole machinery in ruins around them, as a counter-guerrilla, revealing, and passionate.
Today it's been 4 years and consequently, their time and their existence, the Assembly has only made beautiful memories, survivors in our hearts. For this reason, these words I write, just come to be a posthumous tribute to a band that showed that doing hardcore (if this concept still makes sense) may be as close to poetry and politics of thought.

"I watched your sky, I realized that not falling. Among
saints, heroes and examples blessed.
There is no place for us, that dream
the world take us
seditious assault dreams, fire in our hearts.
fists. Fists, threading the fall
windmills. We are the fertile
within the wilderness, seditious dreams.
Hearts on fire. We are the wilderness into fertile
We candor, we track, fire, anger, tenderness.
Hearts on fire. "

In "Icarus, flying apology."

Monday, May 25, 2009

1st Death Anniv. What To Say

destroy machines, learn, to live / About the disappearance of the Citizen


"It appears that in recent years the walk has become a widespread practice of knowledge capable of guiding more and more different fields. A practice of knowledge outside the art world, a kind common zero grade geographers, architects, landscape architects, anthropologists, sociologists, choreographers, photographers, musicians, administrators, and political activists. Regarding the actions of the vanguard of the twenties and the seventies, now not walk more self-demonstrative way, to assert that walking is an art, this is already being widely recognized for the art system not only to report walking more experience in museums in the form of work or documentation of the file, you walk to enforce the experience to others . Who walks today it becomes increasingly alone and increasingly with others, to share with others, to find others.
So why this desire to explore the city and explore it? Guy Debord advised "to form many groups of two or three people together in one consciousness and the confrontation between these different views of these groups should be allowed to reach objective conclusions." Leaving aside the possibility or not, to reach objective conclusions

, I think Debord gives here a first major response: the formation of one or more groups can effectively blend the experiences and provide a shared and multiple representation. Along the way there are significant internal relations and fundamental fact, multiply the relations with the external. Multiply feet, eyes and ears, then the desires, deviations, meetings. In two words, multiply the interactions with the territory.
Now, walking with other people can overcome the fear and into more and more dark areas unexplored. The fear to learn, in the sense of increasing the self-consciousness and apprehension have an instinct that arouses fear in the comparisons of space and that drives you to quickly find a free moment on the network, an escape route, a response. It seems, increasingly, that to know the territory you need to go "wherever there is fear but where it also saves you," as Holderlin.
And there is a case then, that the places where they happen most of these hikes are on-off areas not frequented abandoned. Just drop one of the most popular subject, because it can reveal, for those who can read, the city's unconscious, unresolved problems, their skeletons in the closet. "

Francesco Careri, Architect, Situationist post, founder of Stalker. In Walking With
, Spam ARQ.

Tuesday, May 19, 2009

What Does Cervical Mucous Look Like Before Period

Delusions of Wandering
















are days when you leave your home, your hub function, your sealed unit, your institutional attachments and you loose on the street, you know - Privatization or at unless you try. So go for a walk, and wander and think and keep thinking and your head anything, everything is hyper as in the wonderful and almost infinite network, windows open mind and let everything be happening like in the movies, but this is yours As Artaud said needed a camera strapped to mind.
The sky looks gray but it is not, the stifling heat and cold also, the skin is somewhat resistant to environmental reality. In short, everything in the city seems more real than television, contradicts all the images of the street are not the same as those of television, here's poop smells. So much time studying and yet I rationalize it seems only a intellectual form of non-living things.





When I travel by attending numerous Santiago entropies I still capturing its dynamics through the static lens, want to spring up and out of balance. I am intrigued by these places, I somehow absorb. Lefebvre remember: "I enjoy my life between the center and periphery, I am simultaneously peripheral and central." Of what is, to enjoy the wander. I enjoy every moment, perhaps thinking too much and drawing little or writing shortly. That guilt haunts me. Several months ago
comes rolling in my head - in relation to this - the memory of of permanent vacation Jim Jarmusch. Perhaps because the powerful of the film, beyond the film role, is for me the cultural value of their character, their spiritual urban dimension. That wander wander, to collect, for roam, to make an imaginary outside the general imagination. It reminds me that we have not understood in my country that public space is something political and not a fetish of consumption device as the Mall So, performer all the time, all the time to act, react to each moment. We know so little about living without certain function, we have been enslaved by the programs and it is difficult to create. Perhaps the best understood Situationists and although they are dead, today seem increasingly force: through the street art, installation, and most of the criticism exercised.
Anyway, all this has led me to thinking lately that the academic view on the city is profoundly toxic. It's kind of behaviorism technocrat who makes you a chicken without a beak. Do not cut your tongue but you the trains. And this delusion of Reason Produces Monsters. Habermas was right even with their stubborn ideologies: In the public space battles are fought meaningless.
Even with all that I'm resisting hygienist strategy, perhaps because the city is wonderfully messy and chaotic and there you have your balance. For stronger However much effort to dominate and control structures, by the modern man, this will always fail, and disregard of nature. City Stage mutates as Ignasi Sola Morales said.





Friday, May 1, 2009

What If An 11 Year Old Materbates

THE WANDERING DREAM ABOUT


Our duty is to err. Our duty is to be carried away by the insterticios of this great structure. Beyond the perpetuity of the static that surrounds our vision, we ants create networks where there have only containers. A wide desert
back and holds the path unknown. Follow this path without expecting to be received, be always a passenger without place. Farewell always, always temporary, as the relentless passage of time. Our duty is to err. Most also have a choice.
I found this place after so long, and its vastness is one that can find lost without return, without remembering. Everything is far away and so imminent at the same time as the sky ...